Inside Milan’s Design Week: Jack my handbag

Most people wouldn’t pick Milan as a tourist destination, but should you attempt it, aim for Design Week.
This is a working city, best when humming with some sort of event. And while the Fashion Weeks seem like they’d be a good choice but unless you’re Suzy Menkes or a 20-pound Ukrainian model, trust me, you won’t have any fun.
Design Week, usually held the first week in April, is more democratic.
Even if you don’t go to the fair (officially called Salone Internazionale del Mobile ) or snag any cocktail invites, there are a ton of events — 350 this year– outside the fair (fuori salone) that anyone can visit, often getting free drinks and food in the process.

It’s also democratic because even regular joes can have an opinion. Most times you can touch, try out, sit down. Hmmm. This chair is uncomfortable. Wouldn’t this look great in my kitchen? Pretty, but you could never read by that lamp.
And, if you have the good sense to be single or at least unaccompanied (somehow this always eludes me), it’s also a great way to meet talented young things. (The Belgian/Dutch showcase always seems to have the most talent, in both senses of the word).

Rodent power

This was my first year doing just the fuori salone, even a neighborhood reccy was well worth it.
Diana Eugeni, an architect friend of mine, launched a gizmo called “Jack Bag” to keep your Gucci from touching the ground. A curvy key chain made of plexiglas, it latches on to the table and provides a hook for your handbag, ever more important now that restaurants seem to have all decided that normal square chairs are hopelessly démodé. It’s part of a project called cutnpaste where designers sell their stuff directly to consumers.
At the Dutch/Belgian fuori salone, there were fuzzy weeble-wobble stools, a goth lamp with a stuffed mouse in the base, a bracelet with a razor blade (“kill yourself whenever you want,” the tagline says) and some fabulous ceramic vases with a tulip print.

The Established & Sons installation in an ex-pelota court was the place to be: A-list British designers (Zaha Hadid, Jasper Morrison, Sebastian Wrong) plus free beer.
While the Miele kitchen store plied guests with free crepes, the most creative use of food in a furniture fair goes to BMW, sponsors of a molecular cooking extravaganza/DJ set with chef Carlo Cracco whipping up dishes made with liquid nitrogen. (I organized a segment for Discovery Channel once on molecular cookery. It looks neat, but the only thing that really tastes better made with liquid nitrogen is ice cream. The super-quick freeze locks in the flavor and it doesn’t melt quickly or give you ice-cream burn).

Take your place

Bigger is better seemed to be an ongoing theme. Of the outsize installations, Jacopo Foggini’s enormous chandelier (the same one lording over Luciano Pavarotti during the Turin Olympic opening ceremony) was probably my favorite.
The giant Ikea furniture — a couch, a sofa, a bookcase — placed around town seemed slightly ominous rather than playful. A reminder of how many of these bright-eyed, creative nordic types may end up with careers in indentured designer-dom.

Italy’s “Viagra Monologues”

MILAN — Viagra, the drug that launched, ahem, a million jokes, is now a musical.
Pfizer Italy paid to create a fable for adults called “The Male Sleeping Beauty” to boost consciousness about the “difficulties of intimate relations between women and men in our times.” .
Why the Bel Paese? As a country with one of the oldest populations on the planet, the magic bullet aimed at over 65-year-olds is on fertile ground here. The drug is also used and abused by 30-something Italian stallions. Sex experts in newsweekly Espresso recently called them the “Viagra Generation,” describing pill poppers as egotistical mama’s boys, fragile and afraid of women.
When this new take on adult entertainment came to Milan during a 10-city tour, I wouldn’t have been anywhere but the front row. My date for the evening, an Italian friend who wanted everyone reading this to know he has never used Viagra, doesn’t need it and only agreed to go as a demonstration of devotion to me.
While Viagra may have moved mountains, “Il Bello Addormentato nel Bosco” had a hard time drawing a crowd. Despite being mid-week — and for free. About 60 people, many of them women old enough to have companions in need of Viagra, milled in the foyer looking surreptitiously to see who else thought spending a cultural evening with the blue pill might fun. (more below)

Viagra generation?

Before doors opened, we were offered some freebies suitable for geri-tainment — samples of Caffè Hag (decaf espresso) and copies of an anthology called “Love in the Time of Viagra.”
When the curtain went up on a rotund man dressed in turquoise tights at 9 p.m., maybe half of the 327-seat theater was full. The 80-minute show takes comic Gianni Fantoni through a nocturnal fantasy world where he is trapped because he can’t “wake up.”
This ‘Beauty’ is a bumbling, overweight everyman who wonders why “men who need love and women who want furs” always seem to find each other. His assortment of loves includes a voracious older woman and another who only wants to have sex in public. Watching my friend’s face to see whether he liked the jokes — his reaction was somewhere between half-smile and grimace — it occurred to me that the character wasn’t very sympathetic. You were supposed to identify with him, but ended up finding him a chump.
In between musings, Beauty is visited by “solitary pussies” of the past, women who pop out of the wings recounting the failings of men. They speak in rhymes, including a sort of mantra (“oppressed, repressed, depressed, now I lie under a cypress.”)
In this journey of self-discovery (where he sings “Fly me to the Moon” and the “Happy Days” TV theme dressed as Fonzie), Beauty will eventually “awaken” from his nightmare thanks to love. Anita, his childhood paramour, will show him the door leading out of this tormented limbo.
After applause, less tepid than I would’ve imagined, the curtain went down and a video screen dropped from the ceiling. No one moved when a five-minute school-type film about how rapid social changes (see woman ironing, see woman with briefcase) have altered relations between the sexes forever. The voiceover said something about women having higher expectations, becoming more demanding and the man who has the courage to go to a specialist will, too, wake himself up to the power of love.
Say what? Even the 30-somethings behind us, who had whispered that Fantoni was ‘bravo’ during the show and laughed honestly in most of the right places, didn’t quite get this last bit. That’s the rub, my friend sentenced. Pfizer didn’t think we’d really get the deeper meaning of the play, so they had to infomercial us just in case. Apparently they didn’t think “Beauty” that entertaining either.

Traveling to Italy: Safety Concerns

Since 9/11 the U.S. government has issued gloom and doom travel advisories for Italy, the main point being to scare the bejesus out of tourists who were coming anyway.

For example: “The Department of State remains concerned about the continued threat of terrorist attacks, demonstrations and other violent actions against U.S. citizens and interests overseas. Americans are reminded that demonstrations and rioting can occur with little or no warning.” Continue reading

Beefed up: Italians bring back bistecca

Steak feastby Nicole Martinelli Beef is back in Europe after a nearly 10-year ban for mad cow disease. In Italy, butchers are trying to entice people to put the famed bistecca fiorentina, a monumental T-bone steak, on the table again.

Ban, schman. If you knew where to look — just three months after locals held a public funeral for the steak — you could sink your teeth into a fiorentina anyway.

Timing, though, couldn’t have been better. Continue reading

Headless journo sparks debate

Oriana FallaciA portrait of combative, former-combat journalist Oriana Fallaci sans head went up recently in Milan. Dubbed “Decapitated Oriana” by the papers, protesters picketed the gallery where it is part of a show by artist Giuseppe Veneziano.
The picketers were from a conservative group called “Italia con Oriana” (Italy with Oriana), ostensibly to protect her against this artistic violence…
Continue reading

Italians Check Out Self-Scan

by Nicole Martinelli If you’ve ever tried to stand in line in Italy, you’ll understand why self-service scanning at supermarkets has taken off.

Something in the Italian character simply refuses to stand in an orderly fashion and wait. Women in fur coats park baskets near the checkout, disappear, come back and add items, and when they are done, cut in with the banshee wail: “I am in line!”

Hence the appeal of quick, orderly DIY checkouts. Self-scanners have long been called the next big thing in supermarkets, but perhaps because of the hellish line situation, Inferno-familiar Italians were quick to adopt them…
Read more at wired or download the podcast.

Giving non-Italian citizens the vote

I finally got an ‘admit one’ ticket to the circus of Italian politics. Well, sort of.
I voted. In a way.
Milan is holding primary elections for center-left mayoral candidates and immigrants can join the fun, too.

No matter that those same non-Italian citizens cannot actually vote in the national May elections.
The scattered left parties, up against Berlusconi’s record-holding government, have brought a new concept to the Italian political system: primary elections.
Since they need numbers, immigrants resident here for at least three years can participate in these primaries.
The reasoning? Immigrants will vote for left, because the left will promote fair immigration laws. Ignoring, of course, that the cornerstone of those laws, the Turco-Napolitano, is a quite conservative product of the left.
Voting is a major part of life in any country, but in Italy there were so many things to vote for — what with the government falling every three weeks and referendums all the time — that it became a constant cultural activity.
As an extracomunitaria, as non-EU citizens are called, I never got to join the fun.
I would follow, puppy-like, Italian friends into grade schools and wait outside classrooms while they cast about for a new leader or expressed an opinion on hunting. But I was still an outsider.
Now it was my turn.
I wait behind two elderly, fur-coated signore outside a white plastic tent put up for the occasion in the square.
My neighborhood borders Chinatown, but I am the first non-Italian to vote here. The first two volunteers are at a loss and I am shown to Paolo, a jaunty middle-aged man in a flat cap and puffer jacket. He checks my ID card, looks at a photocopy of my stay permit and stands over another volunteer to make sure my voter form is filled out properly.
They take my name, place of birth (inevitably pronounced San-Fran-Chees-ko) and tell me I must also fork over a donation, of at least a euro, for the privilege. Sure, I say, swiping a few Pocket Coffees from a tray of chocolates offered to voters for the trouble.
I take my bright orange ballot over to a little desk that, in a vague nod to privacy, has two little 8 x 10 pieces of cardboard around it.
There are four candidates:
Bruno Ferrante, former head of the police department who bills himself as a “servant of the Italian state.”
Milly Moratti, current city councilor, who would run against the only other female candidate, her conservative sister-in-law and former education minister Letizia Moratti.
Dario Fo, Nobel prize winner for literature, who at 80 would perhaps be the oldest mayor in Italy.
Davide Corritore, a congenial-looking 47-year old with background in finance background for the Union party.
On my way out, I ask Paolo when he thinks immigrants will be able to vote for real. “Chissà?” Who knows, he says, shrugging in typical Italian fashion.
Perhaps turning out for the old college try is what political participation is really about in Italy.

3G Hell, Italian Style

MILAN, ITALY — When I moved to Florence in the early 1990s, I thought my student get-up of Doc Martens and overgrown sweaters cut just the right dash between ingenue and intellectual. But when Gino the cappuccino slinger in the ground floor of my 16th-century apartment building offered to drum up change from the regulars for a decent jacket, I knew I had to up the ante.

A decade on, I thought I was doing pretty well, as a Milanese signorina with Hermes scarf and Gucci bag. Cue Italian Premier Silvio Berlusconi pimping hair transplants and face-lifts as the necessary accessories for any political hopeful and, God forbid, the advent of the video phone.

Italy, second only to Hong Kong for percentage of mobile-phone users, is now also a leader in 3G users. Though most experts brush away this kind of clunky technology, I fear the bell for high-living, under-waxed singles has already tolled.

An English friend convinced me to go 3G. Rates were low and the phone was thrown in free for journalists. For a few blissful weeks, my video-phoning was limited to beaming footage of Rufus, my very telegenic bearded collie.

Then Luca, a co-worker, video-phoned from the beach in Sardinia. Tan, with a tummy enviably toned in little rolls, he wanted to gloat over my city-induced pallor. His wife, Maddalena, who had given birth to their son just a month before, desperately tried to conceal the ravages of her C-section slump as he swung around for a panoramic shot. The video call ended abruptly with a phrase I would hear a lot: “Any chance you’ll flash me?” Oh, gee, the connection broke.

The revolution will be televised and, yes, that means there is no such thing as in-between waxings (as my roommate Sara found out when her lover wouldn’t take video “no” for an answer, only to be treated to a close-up of her snarling, bleach-heavy upper lip).

Just as the cell phone was the adulterer’s best friend, the video phone is the mistress’ nightmare. As every sex-line worker knows, it’s easy to feign orgasmic rapture while eradicating toe jam. In Italy, that particularly forgiving brand of the feminine mystique is now as passé as last year’s Fendi jeans.

I had always prided myself on a dirty, late-night purr, on tap if needed at 11 a.m.; I could do sexy while hanging out the laundry. Italian men now want to look as well as listen. And if Jane Jetson’s robo-beautician style was once a prerequisite for Milanese streets, lovers are now obliged to air-brushed porn perfection in the former sanctum of their apartments.

With the Nokia 6680 resolution at 176-by-208 pixels, makeup is essential but it is not the kind of HDTV definition that makes you wonder about the expertise of Cameron Diaz’s dermatologist.

It does, however, make smoothing over the fault lines of a late-night necessary before heading to the newsstand. Italians don’t do natural; I have enough trouble curbing comments on my personal appearance from Franca, the troll who collects the mail — let alone trying to be bella with co-workers, my accountant and a possibly significant other when they video-phone at all hours.

Watching more television could have curbed my fall. Current Italian ads for 3G phones feature a pneumatic Marilyn Monroe type begging a departing lover, “Videochiamami!” Honey, if you look like that in person, you don’t need to video-phone.

Photo by Mika Baumeister on Unsplash