Venice Launches SMS Flood Alerts

VeniceCell phones will now tell Italians when the tide is high in Venice. The city government just launched a free text message alert system for the floods which frequently put La Serenissima under several feet of water.

Intended to assist waterlogged locals, the only real requirement for signing up is an Italian cell phone. These timely texts could save a lot of headaches for anyone traveling to the city, especially in the fall flood season, normally a great time to visit Venice since it’s less plagued by tourists.

These acqua alta alerts let users know up to 36 hours before floods hit, keeps them posted from three to six hours before storms and lets them know when things are clearing up and water is ebbing back into canals.

Given that there are far more cell phone subscriptions than Italians, it is one of those services whose time has long come.

Looking Through Galileo’s Eyes

The view from Galileo's last home now looks out on Italy's National Institute for Astrophysics, where researchers have made a model of his telescope. (Nicole Martinelli/GlobalPost)

The view from Galileo’s last home now looks out on Italy’s National Institute for Astrophysics, where researchers have made a model of his telescope. (Nicole Martinelli/GlobalPost)

ARCETRI, Italy — Astronomers have recreated Galileo Galilei’s telescope to celebrate the 400th anniversary of his groundbreaking observations.

Galileo spent his last eight years confined to Villa Gioiello here in the hills south of Florence after he was condemned as a heretic in 1632 for his conclusion that the Earth revolved around the sun. The small white building has a bare facade, except for a bust of the scientist staring fiercely at the Trattoria Omero across the street.

In the late 19th century, the white domes of the National Institute for Astrophysics (INAF) observatory rose within view of the Villa. Now, after two years of study, INAF researchers are observing the night sky with a replica of Galileo’s telescope.

They began trying to see through Galileo’s gaze in January 2009. While Galileo spent just one winter making his observations, researchers strung out the work over the year. Paolo Stefanini, a technician who has solved problems big and small at INAF since 1966, believes Galileo would recognize the simple metal tool he crafted.

“When we first set out to re-create it, aesthetics played a part,” Stefanini said. “But we also needed something sturdy. The original was made from strips of wood joined together and covered with red leather; we needed a telescope that could be used without falling apart.”

Like Galileo’s instrument, the modern replica is about three feet long. It magnifies distant objects by refracting light through lenses housed in a tube, with a light-gathering objective lens at one end and an eyepiece at the other.

Stefanini made his refracting telescope and tripod from spare metal parts found around the observatory. The lenses were crafted by the National Institute of Applied Optics in Florence, which measured the shape and refractive index of the originals and the National Institute of Nuclear Physics in Florence, where scientists determined glass composition using X-ray fluorescence.

Instead of one man peering at the winter night sky and making hasty sketches, however, the images are recorded by a light-sensitive silicon chip called a charge coupled device or CCD. Attached to a digital camera, it transforms photons into electrical signals, making digital versions of the images as they would form on the retina of a human observer. Starry skies captured by the replica will be published online in early 2010.

Galileo wasn’t the first to point a telescope at the heavens, but the 45-year-old-mathematics professor taught himself the art of lens grinding, making his the most powerful around. His instrument magnified 20 times, allowing him to see moon craters, identify individual stars in the Milky Way and Jupiter’s four largest moons.

Galileo spent late 1609 and early 1610 gathering information and drawing the sky; his observations became the Sidereus Nuncius (“Starry Messenger”) a treatise that led to a clash with the Inquisition.

The idea to re-create Galileo’s telescope originated on the terrace of the Institute and Museum of Science in Florence. Museum director Paolo Galluzzi took one of the two original remaining Galilean telescopes on the museum roof to inspect the night sky.

“I have to admit, I saw very little through Galileo’s telescope,” Galluzzi said. “You realize how much he accomplished by trying to see what he did, the way he did.” Galluzzi, for example, strained to spot Jupiter’s largest moons, noting how impressive it was that Galileo not only saw them but also calculated their phases.

Galileo’s telescope has a very narrow field of view: The moon, for instance, fills it entirely. When Galileo spied the blanket of stars in the Pleiades and the Milky Way, he “got tired” of trying to sketch them all, Palla said, creating a challenge for researchers to reconstruct his accurate but incomplete observations.

Galileo also had poor eyesight and vision problems. To know precisely what Galileo saw, Galluzzi wants to open his tomb in Florence to examine his DNA. If authorities grant permission, it’s up to Peter Watson, bespectacled president of the International Council of Ophthalmology, to determine whether Galileo suffered from a condition called creeping angle closure glaucoma. Galluzzi believes it might explain why Saturn has lateral bulges and not rings in Galileo’s sketches.

To follow in Galileo’s footsteps, the Arcetri Observatory team uses a photocopy of the original manuscript, which includes eloquent watercolors of moon phases made hastily on scrap paper.
Looking at the heavens as Galileo did requires more that just the equipment, however. On a recent night, thick cloud cover made pointing any telescope futile. And to minimize interference from light pollution, Stefanini spent long nights stargazing from his home nestled in the Tuscan countryside.

“Even the best equipment doesn’t guarantee much with astronomy,” said Francesco Palla, director of the observatory. “Patience is about 90 percent of what we do.”

While waiting for the sky to clear, Palla gives an evening visit to a group of Florentine 5th graders. In response to questions from the soft-spoken director, hands dart up to answer that the earth revolves around the sun, what the Milky Way is and how many stars there are in Orion’s belt — the same principles that got Galileo excommunicated.

When the kids file out 90 minutes later, the clouds have parted enough to try to frame the moon in the model of Galileo’s telescope.

Squinting to overcome my own nearsightedness, the rough surface of the moon in its first phase finally comes into view. It’s a whole new world.

This story first appeared in the Global Post, that site is now a part of PRI.org.

Souvenir Sales Spike After Berlusconi Hit With Mini-Cathedral

@Repubblica

@Repubblica

After Italian Prime Minister Silvio Berlusconi was struck in the face with a replica of Milan’s cathedral Dec. 13, souvenir sellers here are reporting brisk sales of copycat statues.

“Around here, sales of some tourist items slow down or stop for awhile, ” a vendor identified as Willy told told conservative daily newspaper il Giornale. “The mini-duomo was one of those items. Today, they’ve started moving again. A lot of journalists are buying them, but also people who want to give them as Christmas gifts. ”

Other vendors reported that they sold maybe one of the statues representing the soaring Gothic spires of the fourth-largest church in the world and icon of the city a month, but sold 40-45 a day since the incident.

The dangerous doodad — Berlusconi landed in the hospital with a broken nose, two cracked teeth and also suffered injuries to his lips and cheek — measures 10 x 10 centimeters (about 4 x 4 inches) and is made of resin and chalk. Sold in kiosks in the square around the cathedral, it can cost anywhere from €6-€12 euros ($8.70- $17.50).

Massimo Tartaglia, a 42-year-old with a history of mental problems, hurled the mini-cathedral through the crowd on Sunday as Berlusconi greeted supporters in a rally. Tartaglia is now in isolation at Milan’s San Vittore prison. While he has written a letter apologizing for his “cowardly act,” police are now investigating Facebook groups that sprung up defending his act of tchotchke terrorism.

Italian Museum Says: Touch the Paintings, You Know You Want To

caption: caption: Hands on with a chubby Christ child. @centrica

Hands on with a chubby Christ child. @centrica

If you’ve ever stared at a painting and wanted to reach out and squeeze that adorable little putto, you’ll soon have a chance to do it without getting arrested.

Florence’s Uffizi Gallery, one of the largest treasure troves of Renaissance art, is developing a touch-screen device that allows art lovers to zoom in for a more hands-on approach to the masterpieces.

caption: Italian art, Cover Flow style. @centrica

Italian art, Cover Flow style. @centrica

You can flip through centuries of art the same way you scroll through your albums on iTunes.

The program is called “Uffizi in a Touch” (sadly, a name not vetted by anyone who actually speaks English) developed by an Italian company called Centrica.

It took them four years to take life-size 100-megapixel photos that will be up for perusal in December for researchers and the more tactile groups of tourists.

No word yet on whether Apple will be after them for using the Cover Flow technology that’s been on the Cupertino company’s devices since 2006.

Italian Mobster’s Prison Paintings For Sale Online

Picture 7

Sicilian mafia turncoat Gaspare Mutulo, recently in the headlines for revealing a kidnapping plan aimed at Silvio Berlusconi, used his time in jail to paint.

His lawyer Silvio Nistico’ has put 20 of his artworks, which all portray a slightly naif if always sunny and calm Sicily, on display in an online gallery.

The views of small crowded houses and a sea framed by prickly pear cactus typical of the Italian isle go for about a thousand euro each, Italian media reported, though the online shop is not live yet.

@gaspare mutulo, painting detail.

@gaspare mutulo, painting detail.

The Palermo-born mobster, called “Asparino” diminutive for “Gasparino” in Sicilian dialect, was locked away various times between 1965 and 1992, when he became a state witness against the Mafia.

He was the first mafioso who spoke about the connections between Cosa Nostra and Italian politicians. Mutolo contributed to the indictment of Italy’s former Prime Minister Giulio Andreotti and to an understanding of the context of the 1992 Mafia murders of the politician Salvo Lima and the magistrates Giovanni Falcone and Paolo Borsellino.

Hygienic Holy Water Flows in Italian Church

holywater

Although many communal fonts in Italian churches have run dry because of the flu scare, one small parish church has a custom-designed font that dispenses holy water for making the sign of the cross in a more hygienic fashion.

It works much like a touchless soap dispenser in a public bathroom: the faithful place their hands underneath it, triggering a motion sensor and holy water runs forth.

Nicknamed the “sacred dispenser,” the container is covered in terracotta with a matching basin. It hangs on the wall in the church of Tre Fanciulli a Fornaci, about 30 kilometers (18 miles) north of Milan.

“I thought it up seven years ago while working my pizzeria,” inventor Luciano Marabese told newspapers. The parish priests in the town of about 5,000 had related to Marabese the disturbing news that drug addicts were washing needles in church fonts. Between spinning one pizza and the next, Marabese came up with the idea of safer holy water.

“It’s been in the church since 2005, but since the flu scare, I’ve been contacted by half of Europe — Spain, Portugal, Poland — only the Vatican hasn’t called yet. ”

The hygienic holy water dispenser costs about €1,500 ($2,200), with part of the proceeds going to humanitarian projects in Africa.

A Peek at the Real da Vinci Code

The Codex Atlanticus at the Biblioteca Ambrosiana

The Codex Atlanticus at the Biblioteca Ambrosiana

If you’ve ever wondered what’s inside Leonardo da Vinci’s notebooks, you’ve got six years to take a look.

Milan, where the original Renaissance man worked for years, has brought the largest collection of his drawings and writings, the 1,000-plus-page Codex Atlanticus, to the masses. The Codex is normally housed in the city’s Biblioteca Ambrosiana, where it is off-limits even to most scholars. But until 2015, visitors can view a rotating exhibition of selected pages from the real da Vinci code, grouped into themes including mechanical flight, anatomy and war machines.

Finished drawing for strut solution@ Veneranda Biblioteca Ambrosiana -Milano

Finished drawing for strut solution@ Veneranda Biblioteca Ambrosiana -Milano

Among the pages, dating from 1478 to 1519, visitors will find engineering designs, recipes, doodles from apprentices, as well as sketches for da Vinci’s many ahead-of-his-time contraptions. Da Vinci, who reportedly made sketches of his observations on loose sheets or on tiny pads he kept in his belt, left behind the largest literary legacy of any painter.

“It can be a little embarrassing, when people only expect to see finished drawings or amazingly detailed sketches,” said da Vinci expert Pietro C. Marani, curator of the first three-month exhibit, “Fortresses, Bastions and Cannons.”

“What you’re really looking at is a cross-section of art, science, technology, mechanical studies – all woven into the daily life of an amazing figure, but it’s not always what you might expect,” he said.

Full story on the Wall Street Journal Europe

Codex Atlanticus Exhibit Info:
Hours: Tuesday – Sunday
8:30 am – 7:00 pm
Price: €21.50 for both halves of the exhibit, includes reservation.
Online tickets and reservations: www.ambrosiana.it

Tuscan Town Boasts Italy’s Highest Birth Rate

Picture 5

Although Italy’s birth rate is one of the lowest in the world, one small Tuscan town, Quarrata, is turning that around. Last year, there were 256 bambini born in a hamlet of 25,000 — resulting in a birth rate of 10.32, about what was normal in Italy 30 years ago.

“We don’t know exactly why so many people are having kids here, ” mayor Sabrina Sergio Gori, who is also a doctor, told newspapers. “It’s definitely not a bad place to live. There’s work, plenty of it in furniture factories and some of the largest garden centers in Europe.”

Aside from increasing schools and day care centers to meet the newcomers, Quarrata — about 20 miles northwest of Florence — also holds a giant collective birthday party in June every year for the town’s kids in a Medici villa called La Magìa (pictured above). Part of the park grounds have been turned into a playground, too.

The villa is a symbol, Gori says, that parents who have kids know they’re not alone in raising them. She believes more Italians don’t have children — the national birthrate is 1.3 — because they have one and realize how hard it is.

“Many would like to have at least two kids,” she said. “But the lack of services and the expense takes away any enthusiasm they have for becoming parents again.”

Unlike other parts of Italy, the increase isn’t just from births by foreigners. Immigrant families in Quarrata are responsible for about 20% of the birth uptick.

How to See Caravaggio’s “Adoration of the Sheperds” During Restoration

Picture 1

Caravaggio’s 1609 masterpiece “Adoration of the Sheperds” is getting touched up in public — here’s how to book the free visits.

Like a lot of things worth doing in Italy, it won’t be particularly easy. Groups of 10/15 people will be allowed to watch restorers at work in Rome’s lower chamber of parliament until it is returns to pristine condition in January 2010. Visits are free, but available only Wednesday and Friday afternoons and last about 20 minutes.

Sponsored by broadband telecommunications company Fastweb, the online reservation form shows which dates are still available. (Here’s the Google translation into English, if you need it).

Ever since a restorer acquaintance let me climb up on Giambologna’s Ferdinando I de Medici statue to check out her work, I’ve tried to get a gander at restorations whenever possible, like Donatello’s David at the Bargello or at the frescoes at Santa Croce.

If you’re in Rome, it’ll be worth the trouble.

Upside to Financial Crisis: Tomb Raiders Out of Work

caption: found by police in an antiques market, this bust was put into a 2008 art show of recovered works.

caption: found by police in an antiques market, this bust was put into a 2008 art show of recovered works.

Even tomb raiders have to deal with a market in crisis: in the first half of 2009, thefts of Italy’s art and historical treasures were down 52% compared to last year.

Some 12,716 precious artifacts were stolen from churches, archeological sites, museums and private homes in the first six months of 2008, while 6,000 items disappeared so far this year, according to figures from the art-theft patrol of the Carabinieri.

Many of these paintings, vases, sculptures, religious paraphernalia end up on the international black market.

With thefts down, the Carabinieri have had more time to recover stolen goods. They’ve managed to track down and return to rightful owners 79% more antiques (from 3,955 in 2008 to 7,088), 34% more recovered archaeological finds (from 26,725 to 36,035) and over 3,000% more paleontological artifacts (from 238 to 7,747).

Key recoveries include Pompeian frescoes, funerary urns, objects from the Neolithic Age, bronzes and modern and contemporary art paintings, including an oil on canvas by Giorgio De Chirico.

For at least a hundred years, tomb raiders, called “tombaroli” in Italian, have been ferreting out artifacts and selling them, mostly unhindered, on the international market.

Roberto Conforti, who heads the special art-theft patrol of the Carabinieri, says the black market for artifacts rivals Italy’s drug and arms trade. In the last 30 years over 300,000 objects stolen from tombs have been recovered, according to Minister of Culture statistics.